| Celebrities, violencia de género y derechos de las mujeres:¿ hacia una transformación del marco de reconocimiento? MJG Fuentes, EG Nicolau, RM García Revista Latina de Comunicación Social, 833-852, 2016 | 38 | 2016 |
| Time’s Up, celebrities and the transformation of gender violence paradigms: The case of Oprah Winfrey’s Speech at the Golden Globes (2018) R Maseda García, E Gómez Nicolau Universidad Complutense de Madrid, 2018 | 12 | 2018 |
| Mood, silence and ghostly words: female trauma in Isabel Coixet’s The Secret life of Words R Maseda Studies in European Cinema 11 (1), 48-63, 2014 | 12 | 2014 |
| From productivity to process: Flipping the writing group DJ DeFeo, Z Kilic, R Maseda Academic Journal of Interdisciplinary Studies 5 (3), 544-550, 2016 | 9 | 2016 |
| Finding Your" Spanish Voice" through Popular Media: Improving Students' Confidence and Fluency. RM Garcia, DJ DeFeo Journal of the Scholarship of Teaching and Learning 14 (3), 110-131, 2014 | 8 | 2014 |
| White anger, Black anger: The politics of female rage in Little Fires Everywhere (HULU, 2020) R Maseda García, MJ Gámez Fuentes, E Gómez Nicolau IC: Revista Científica de Información y Comunicación, 19, 295-320., 2022 | 7 | 2022 |
| Indigenous Trauma in Mainstream Peru in Claudia Llosa’s The Milk of Sorrow. R Maseda Dissidences 6 (11), 13, 2016 | 7 | 2016 |
| From Weaklings to Wounded Warriors: The Changing Portrayal of War-related Post Traumatic Stress Disorder in American Cinema. R Maseda, PL Dulin 49th Parallel 30, 2012 | 7 | 2012 |
| Songs of Pain: Female Active Survivors in Claudia Llosa’s The Milk of Sorrow R Maseda Violence: Probing the Boundaries around the World, 38-55, 2020 | 4 | 2020 |
| Habrá cantos sobre oscuros momentos: Trauma femenino en" la teta asustada" de Claudia llosa RM García Letras Hispanas: Revista de literatura y de cultura 10 (2), 17-33, 2014 | 4 | 2014 |
| Transformando la victimización de las mujeres y la responsabilidad ante la violencia de género en The Fall y Big Little Lies MJ Gámez Fuentes, R Maseda García Activistas, creadoras y transgresoras: disidencias y representaciones, 221-242, 2020 | 1 | 2020 |
| Shifts in Spanish Flavors: Tracking Social Change in 18 Meals Z Kiliç, R Maseda Food Studies 3 (3), 65, 2014 | 1 | 2014 |
| The Secret Lives of Women in the Aftermath of Combat: Female Post Traumatic Stress Disorder in European Cinema. R Maseda International Journal of the Humanities 9 (9), 2012 | 1 | 2012 |
| Ensayo sobre la contradicción: Virginia Woolf en la pantalla R Maseda Centro de Estudios sobre la Mujer, Universidad de Alicante, 2008 | 1 | 2008 |
| Madame Sexo: Consideraciones acerca de la pornografía femenina R Maseda Secuencias, 2000 | 1 | 2000 |
| Modos de habitar la rabia contra la misoginia en Vis a Vis (2015-2020) E Gómez Nicolau, R MASEDA GARCIA, MJ Gámez Fuentes Associação Portuguesa de Estudos sobre as Mulheres (APEM), 2023 | | 2023 |
| Female political leaders in Spanish popular culture: Institutionalized feminism in Isabel (TVE1, 2012–14) R Maseda García, L Castillo Mateu international journal of iberian studies 35 (1), 23-39, 2022 | | 2022 |
| Reseña del libro “Tras las lentes de Isabel Coixet: Cine, compromiso y feminismo” R MASEDA GARCIA Asparkía: investigació feminista, 2019, núm. 35, 2019 | | 2019 |
| Rebelling Woman: Culinary Crime in Pedro Almodóvar's ¿Qué he hecho yo para merecer esto!! R Maseda Gastronomica 18 (1), 55-65, 2018 | | 2018 |
| Virginia Woolf and The Hours (Stephen Daldry, 2002): Vulnerability, Performativity and Resistance MJ Gámez Fuentes, R Maseda García Philosophy in the Condition of Modernism, 215-239, 2018 | | 2018 |
