| Literature and Cultural Memory M Irimia, D Manea, A Paris | 5 | 2017 |
| Literature as Memory and Literary Memories: From Cultural Memory to Reader-Response Criticism A Paris Literature and Cultural Memory, 95-106, 2017 | 5 | 2017 |
| From English poetry to American song: Remediating William Blake into the psychedelic musical beat of the’60s A Paris University of Bucharest Review. Literary and Cultural Studies Series 4 (01 …, 2014 | 3 | 2014 |
| Breaking the Contract between God and the Visual-Literary Fusion: Illuminated Manuscripts, William Blake and the Graphic Novel A Paris-Popa American, British and Canadian Studies, 133-152, 2018 | 1 | 2018 |
| Between Troubles and Peace in Northern Ireland: Cinematic Divisions in Kenneth Branagh’s Belfast (2021) and Terry Loane’s Mickybo and Me (2004) A Paris-Popa Acta Universitatis Sapientiae, Film and Media Studies, 97-121, 2022 | | 2022 |
| Metaleptic Rewriting as Sham Authorial Justice in Flann O’Brien’s At Swim-Two-Birds A Paris-Popa University of Bucharest Review 4 (2), 82-102, 2021 | | 2021 |
| THE MADMEN OF ALLEN GINSBERG’S “HOWL” AND THEIR BLAKEAN ROOTS A Paris-Popa BAS British and American Studies 25 (25), 161-171, 2019 | | 2019 |
| WILLIAM BLAKE’S URIZEN, ALLEN GINSBERG’S MOLOCH AND THE SHADOWY SLEEP OF DEATH A Paris-Popa University of Bucharest Review. Literary and Cultural Studies Series 7 (1 …, 2017 | | 2017 |
| Myth, Symbol and Ritual: Elucidatory Paths to the Fantastic Unreality I ML Dumitru-Oancea, R Mihaila, A Paris, NA Popa | | 2017 |
| THE PLAY ON INCARNATION AS ARTISTIC CREATION IN ALLEN GINSBERG’S “HOWL” A Paris LiBRI. Linguistic and Literary Broad Research and Innovation 5 (2), 54-61, 2016 | | 2016 |
| DISLOCATION AS CATALYST AND REMEDY FOR FEAR IN ANZIA YEZIERSKA’S" CHILDREN OF LONELINESS AC PARIS Expressions of Fear from Antiquity to the Contemporary World, 227, 2016 | | 2016 |
| From Passion to Cynism in Peter Shaffer's Equus A Paris LiBRI. Linguistic and Literary Broad Research and Innovation 5 (1), 48-60, 2016 | | 2016 |
| The Illusion of Order and its Fall into Tyranny - William Blake's Urizen and Allen Ginsberg's Moloch A Paris Ordine si Chaos, Ed. by Theodor Georgescu and Ioana Munteanu, University of …, 2016 | | 2016 |
| William Blake's “The Tyger” as an Expression of the Reader's Futile Search for Authorial Intent A Paris East-West Cultural Passage 16 (1), 110-119, 2016 | | 2016 |
| CULTURAL UNTRANSLATABILITY AND MISINTERPRETATION IN JHUMPA LAHIRI’S INTERPRETER OF MALADIES AC Paris Multidisciplinary Approaches to the Construction of Meaning, 200-212, 2016 | | 2016 |
| Benedikts Kalnačs. 20th Century Baltic Drama: Postcolonial Narratives, Decolonial Options. Bielefeld: Aisthesis Verlag, 2016 A Paris-Popa University of Bucharest Review. Literary and Cultural Studies Series, 99-102, 2015 | | 2015 |
| Urizen’s Body and the Proliferation of the Primordial Error: A Biblical, Gnostic, Hermetic and Blakean Perspective AC Paris ANNALS OF THE UNIVERSITY OF CRAIOVA, 118-131, 2015 | | 2015 |
| NEGOTIATING THE ROMANIAN QUEST FOR CULTURAL IDENTITY AFTER 1989: BETWEEN AUTHENTICITY AND MIMICRY, SELF AND NEO-COLONIZATION AC Paris European Scientific Journal 10 (17), 2014 | | 2014 |
| Literature and the Long Modernity MA Irimia, A Paris | | 2014 |
| BEYOND REASON: ALLEN GINSBERG’S CULTURAL AND COMMUNICATIVE REVIVAL OF WILLIAM BLAKE A Paris University of Bucharest Review. Literary and Cultural Studies Series 3 (01 …, 2013 | | 2013 |
Dragos ManeaLecturer, University of BucharestVerified email at lls.unibuc.ro
