| Our Heteromorphic Future: Encoding the Posthuman in Contemporary British Fiction CV Borbély, PP Petrar Presa Universitară Clujeană, 2014 | 7 | 2014 |
| ‘Natural-Born Cyborgs’: Becoming Posthuman in Bio-and Cybertech Ustopias C Borbely, PP Petrar Ekphrasis 2, 142-158, 2014 | 2 | 2014 |
| Spatial Representations in the Contemporary British Fiction P Petrar Presa Universitară Clujeană, 2012 | 2 | 2012 |
| Written Communities: Imagining Connection in Virginia Woolf’s Novels PP Petrar Caietele Echinox, 216-226, 2017 | 1 | 2017 |
| Databodies: Digitalising the Ustopian Spaces in Hari Kunzru's Transmission. PP Petrar, CV Borbély Caietele Echinox 27, 2014 | 1 | 2014 |
| Cultural Imprints in the Age of Globalisation: Writing Region and Nation S Berce, P Petrar, E Mihálycsa, E Păcurar, R Moldovan Presa Universitară Clujeană, 2012 | 1 | 2012 |
| Late, but Timely James Kelman's Reappraisal of Modernism P Popa-Petrar TRANSYLVANIAN REVIEW 31, 212-222, 2022 | | 2022 |
| Temporalities of modernism C Borbély, E Mihálycsa, P Petrar Temporalities of modernism, 1-382, 2022 | | 2022 |
| Remembering Things Present: The Matter of Memory PP Petrar, C Borbely Metacritic Journal for Comparative Studies and Theory 7 (1), 6-15, 2021 | | 2021 |
| “In came the self-evident and luminous little mess”: Ethical Life Writing in Muriel Spark’s Loitering with Intenti P Popa-Petrar American, British and Canadian Studies, 48-66, 2021 | | 2021 |
| “In Any Case They’re All Very Bright-Coloured”: Disturbing Readerly Identity in Muriel Spark’s The Driver’s Seat P Popa-Petrar Caietele Echinox, 272-280, 2021 | | 2021 |
| 1. “Border-Writing: Between the Acts and Virginia Woolf’s Novel Ethics,” P Popa Petrar Borders of Modernism 1, 123-141, 2019 | | 2019 |
| Posthumanist configurations C Borbély, PP Petrar, Ș Borbély (No Title), 2018 | | 2018 |
| “THERE WAS A BLACK GAP WHERE THE DE HAD BEEN:” DISPOSSESSING DISCOURSE IN AIDAN HIGGINS’BALCONY OF EUROPE PP Petrar Studia Universitatis Babes-Bolyai-Philologia 63 (4), 129-138, 2018 | | 2018 |
| Posthumanist Configurations Foreword C Borbely, PP Petrar CAIETELE ECHINOX 34, 7-7, 2018 | | 2018 |
| Ford Madox Ford’s The Good Soldier and the Ethics of Perspective P Pop Transylvanian Review 25 (Suppl. 1), 165-174, 2016 | | 2016 |
| TOWARDS AN ETHICS OF CRITICAL DISCOURSE: IOANA EM. PETRESCU AND “RESPONSIBLE READING” P Pop Studia Universitatis Babes-Bolyai-Philologia 61 (2), 47-53, 2016 | | 2016 |
| The Resurrected Future of Cloud Atlas: Writing and Filming Dystopian Time PP Petrar Caietele Echinox, 263-271, 2015 | | 2015 |
| Our Heteromorphic Future: Encoding the Posthuman in Contemporary British Fiction PPP Carmen Veronica Borbely | | 2014 |
| Textual Memories: History, Tradition and Novelty in Salman Rushdie's The Enchantress of Florence P Petrar TRANSYLVANIAN REVIEW 22, 269-277, 2013 | | 2013 |
