| Immersion, narrative, and gender crisis in survival horror video games A Nae Routledge, 2021 | 8 | 2021 |
| Horror Video Games as Procedural Narratives: Extreme Colonial Encounters in the Digital Heart of Darkness A Nae Universităţii din Bucureşti, 2019 | 7 | 2019 |
| Beyond cultural identity: a critique of Horizon: zero dawn as an entrepreneurial ecosystem simulator A Nae Postmodern Openings 11 (3), 269-277, 2020 | 6 | 2020 |
| Immersion at the Intersection of Technology, Subjectivity and Culture A Nae Acta Universitatis Sapientiae, Film and Media Studies, 7-19, 2016 | 4 | 2016 |
| From Male to Colonial Gaze: The Intersection of Patriarchy and Colonial Discourse in the Rebooted Tomb Raider Video Game Series A Nae Video Games and Spatiality in American Studies 5, 101-116, 2022 | 3 | 2022 |
| Shakespeare and the Accumulation of Cultural Prestige in Video Games A Nae Acta Universitatis Sapientiae, Film and Media Studies 17, 115–128, 2019 | 3 | 2019 |
| Miranda Fights Back: Appropriating Shakespeare's The Tempest in Rockstar's Stealth Survival Horror Manhunt 2 A Nae Shakespeare 400 in Romania. Papers Commemorating the 400th Anniversary of …, 2017 | 3 | 2017 |
| Remediating Pornography in Game of Thrones: Where Sex and Memory Intertwine A Nae Inter] sections 6 (18), 17-44, 2015 | 3 | 2015 |
| Challenging the Status Quo in Contemporary American Culture M Precup, A Nae [Inter] sections 23, 2020 | 2* | 2020 |
| Perspectives on Shakespeare in Europe's Borderlands M Nicolaescu, OA Zaharia, A Nae | 2* | 2020 |
| Toward a Reconsideration of Hypermediacy: Immersion in Survival Horror Games and Eighteenth-Century Novels A Nae, AI Bacalu Toward a Reconsideration of Hypermediacy: Immersion in Survival Horror Games …, 2019 | 2 | 2019 |
| Mission objective: Carry the White man’s burden to outer space–the gamification of colonization in dead space A Nae Ekphrasis. Images, Cinema, Theory, Media 20 (2), 157-167, 2018 | 2 | 2018 |
| Imperialist Ideology and its Counterpoint in Joseph Conrad's Heart of Darkness A Nae Annals of the University of Bucharest, Foreign Languages and Literatures, 45-54, 2015 | 2 | 2015 |
| Salvaging Patriarchy in the 2018 Film Adaptation of Tomb Raider A Nae English Literature 6, 127-140, 2019 | 1 | 2019 |
| Adapting Shakespeare Around the Globe: The Construction of Otherness and its Ideological Stakes in the Films O and Omkara A Nae English Literature, 77, 2018 | 1 | 2018 |
| Caught between Nationalisms: How the Margin Tried to Conquer the Centre in Hanif Kureishi's The Buddha of Suburbia and Amitav Ghosh's The Shadow Lines A Nae University of Bucharest Review. Literary and Cultural Studies Series, 32-40, 2014 | 1 | 2014 |
| The “Pure” Romanian: (Re)writing Romanian National Identity in Dan Puric’s Romanian Soul A Nae Journal of Romanian Studies 4 (2), 187-200, 2022 | | 2022 |
| From Saviour to Colonial Perpetrator: Manipulating Player Empathy in Silent Hill 2 and Silent Hill: Origins A Nae Parallax 28 (2), 179-194, 2022 | | 2022 |
| (Anti)Colonial Anti-Communism in S.T.A.L.K.E.R. Shadow of Chernobyl: Appropriating the Anti-Colonial Rhetoric of Heart of Darkness and F.E.A.R. to Criticize Soviet Communism A Nae Transilvania, 15-21, 2022 | | 2022 |
| Can Artificial Humans Go to Heaven? Transhumanist Salvation in Shelley’s Frankenstein and the Hitman Series A Nae Religious Narratives in Contemporary Culture, 180-199, 2021 | | 2021 |
Alexandra BacaluUniversity of BucharestAdresă de e-mail confirmată pe lls.unibuc.ro
