| The Ghost of Communism Past: the Birth of Post-Communist Gothic Fiction? R Oproiu Studies in Gothic Fiction 1 (2), 2011 | 4 | 2011 |
| “Nobody gets out alive. This place just a big coffin”: On Death and Dying in American Prisons R Andreescu American, British, and Canadian Studies 29, 65-83, 2017 | 3 | 2017 |
| “Cash Is Better than Tenure”:(De) Constructing the “Posthistorical University” in James Hynes’s Gothic Academic Satire The Lecturer’s Tale R Andreescu American, British and Canadian Studies 26 (1), 87-107, 2016 | 3 | 2016 |
| A Portrait of the Artist as a Vampire in Jim Jarmusch’s Only Lovers Left Alive R Andreescu Gothic Peregrinations: The Unexplored and Re-explored Territories, 2018 | 2 | 2018 |
| Not in My Backyard: The Road to Housing Desegregation in Yonkers, New York, from Lisa Belkin's Show Me a Hero to Its Adaptation for Television R Andreescu University of Bucharest Review 6 (2), 180-193, 2016 | 2 | 2016 |
| No Humble Abode: Edith Wharton’s The Mount and the Commodification of Heritage R Andreescu University of Bucharest Review, 2013 | 1 | 2013 |
| Abortion Travels in Contemporary American Cinema: Parental Consent and the Bumpy Ride to Termination in Eliza Hittman's Never Rarely Sometimes Always and Rachel Lee Goldenberg … R Andreescu American, British & Canadian Studies 38 (1), 2022 | | 2022 |
| Introduction L Mihaes, R Andreescu, A Dimitriu Handbook of Research on Contemporary Storytelling Methods Across New Media …, 2021 | | 2021 |
| Handbook of Research on Contemporary Storytelling Methods Across New Media and Disciplines LC Mihăeş, R Andreescu, A Dimitriu IGI Global, 2021 | | 2021 |
| From Outcasts in the Streets to Movers on the Hill: Narrating the Dark Side of Washington, DC in R Andreescu American, British and Canadian Studies 34, 84-102, 2020 | | 2020 |
| "That Which Is Unspeakable by the White Enemy Is Speakable by Us": Examining Racial Tensions and the Failures of Law Enforcement in Joyce Carol Oates's The Sacrifice Ethnicity and Gender Debates: Cross-Readings of American Literature and …, 2020 | | 2020 |
| "Very much alive and very much under threat": Chasing the Coffee-Flavored American Dream in Dave Eggers's Monk of Mokha. R Andreescu East-West Cultural Passage 19 (2), 2019 | | 2019 |
| “In the desert, we are all illegal aliens”: Border Confluences and Border Wars in Luis Alberto Urrea’s The Devil’s Highway R Andreescu American, British and Canadian Studies, 189-205, 2019 | | 2019 |
| ‘A Senseless Act of Children, Wandering Around in the Dark’: Legal Culture and Social Science in a Semi-Fictional Rendition of the Leopold and Loeb Trial (1924) R Andreescu The Dark Sides of the Law: Perspectives on Law, Literature, and Justice in …, 2019 | | 2019 |
| “A Religious Orgy in Tennessee”: The (Mis) Representation of the Scopes ‘Monkey’ Trial in Lawrence and Lee’s Inherit the Wind and Its Cinematic Adaptations R Andreescu University of Bucharest Review. Literary and Cultural Studies Series, 63-70, 2015 | | 2015 |
| Neither Here not There: Mapping Donald Barthelme’s ‘Paraguay’ R Andreescu University of Bucharest Review 4 (2), 50-60, 2015 | | 2015 |
| ’Traditions that Have Lost Their Meaning Are the Hardest of All to Destroy’: Divorce in Edith Wharton’s New York R Andreescu Analele Universităţii Bucureşti, 2014 | | 2014 |
| The Horror of the Familiar: The Female Gothic in the American Century R Andreescu Institutul European, Iasi, 2013 | | 2013 |
| Doing Business with the Japanese: A Study of Alain Corneau's Fear and Trembling R Andreescu Synergy, 2013 | | 2013 |
| The End of the World as They Knew It? A Vision of the Apocalypse in Shirley Jackson’s The Sundial R Andreescu Analele Universităţii Bucureşti, 2012 | | 2012 |
