| Simulation and Virtuality in Margaret Atwood’s “Rape Fantasies” F Năstase Radical Definitions 3, 141, 2018 | 2 | 2018 |
| QUEERING THE FAIRY-TALE IN ANNE SEXTON’S TRANSFORMATIONS F Năstase Studia Universitatis Babes-Bolyai-Philologia 64 (1), 143-158, 2019 | 1 | 2019 |
| Humour and Knowledge in Katherine Mansfield’s “The Daughters of the Late Colonel” F Nastase University of Bucharest Review Literary and Cultural Studies Series 13 (1 …, 2023 | | 2023 |
| The Vampiric Mother in Arthur Conan Doyle’s “The Adventure of the Sussex Vampire” F Nastase ACTA IASSYENSIA COMPARATIONIS 29 (1), 78-83, 2022 | | 2022 |
| John Pomfret’s “The Choice”, or (Re) Inventing Empire F Năstase University of Bucharest Review. Literary and Cultural Studies Series 11 (1 …, 2021 | | 2021 |
| A Lake Is Still a Lake. F Nastase The Maine Review 7 (1), NA-NA, 2021 | | 2021 |
| Foreword: From Runes to the New Media and Digital Books DJ Bădulescu, F Năstase Linguaculture 11 (2), 7-12, 2020 | | 2020 |
| “Then I went dark and started to leave”: Racial Passing in Harlan Ellison’s Pennies, Off a Dead Man’s Eyes F Nastase Encompassing Passing: Identities in the Making, 2020 | | 2020 |
| POSTHUMANISM IN THE LAST RABBIT BY EMMA DONOGHUE F NĂSTASE InterCulturalia 2019 2, 121, 2020 | | 2020 |
| An Interdisciplinary Approach to James Joyce’s and Virginia Woolf’s One-Day City Novels F Nastase, D Badulescu IAI Academic Conference, Belgrade Business Academy for Applied Studies, Serbia, 2020 | | 2020 |
| Encompassing Passing: Identities in the Making M Mudure Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2020 | | 2020 |
| THE BLITZ GOTHIC: WAR AND LANGUAGE IN ELIZABETH BOWEN’S THE DEMON LOVER F NĂSTASE Linguaculture 11 (2), 2020 | | 2020 |
| RE-MYSTIFYING THE WEST: HYBRIDITY AND SPIRITUALITY IN JIM JARMUSCH’S DEAD MAN F NĂSTASE Linguaculture 10 (1), 2019 | | 2019 |
| Immigrant narratives in Canada: the importance of storytelling F Năstase JRLS, University of Tirgu Mures, email: tehnoredactare. jrls@ gmail.com, 1203, 2019 | | 2019 |
| PĂSĂRI CĂLĂTOARE: LIMBAJ ȘI IDENTITATE ÎN CUM FETELE GARCIA ȘI-AU PIERDUT ACCENTUL DE JULIA ALVAREZ F Năstase Studii de Ştiinţă şi Cultură 15 (01), 121-127, 2019 | | 2019 |
| FEMALE ENNUI IN MARY GAITSKILL’S “SECRETARY” F NĂSTASE InterCulturalia 2018 1, 31, 2019 | | 2019 |
| Female Confessionalism: The Female Body, Mental Illness, Sexual Orientation and Familial Dynamics F Năstase | | 2018 |
| Radical Definitions: State-Society-Religion X Hergenröther, O Ursulesku, D Bădulescu Grazer Universitätsverlag, 2018 | | 2018 |
| The Failure of Speech Acts in David Mamet's "Oleanna" F Nastase The 1st Discourse and Communicative Interaction Conference, Universitatea …, 2016 | | 2016 |
| NIKOLAY RUBTSOV–THE CHASE AND THE FURY F Năstase, L Bejenaru STUDENTS ON THEIR WAY TO SCIENCE, 89, 2012 | | 2012 |
Conferențiar dr.hab. Ludmila Bejenar...Assoc.professor, Alexandru Ioan Cuza University of Iasi ROMANIAAdresă de e-mail confirmată pe uaic.ro
