| A companion to the historical film RA Rosenstone, C Parvulescu Wiley-Blackwell, 2013 | 42 | 2013 |
| Orphans of the East: Postwar Eastern European Cinema and the Revolutionary Subject C Parvulescu Indiana University Press, 2015 | 25 | 2015 |
| The cold world behind the window: 4 Months, 3 Weeks and 2 Days and Romanian cinema’s return to real-existing communism C Parvulescu | 15 | 2009 |
| Global Finance on Screen: From Wall Street to Side Street C Parvulescu Routledge, 2017 | 9 | 2017 |
| Embodied histories. Harun Farocki and Andrei Ujică's Videograms of a Revolution and Ovidiu Bose Pastina's Timisoara—December 1989 and the uses of the independent camera C Parvulescu Rethinking History 17 (3), 354-382, 2013 | 9 | 2013 |
| A Companion to the Historical Film C Parvulescu, RA Rosenstone Wiley-Blackwell, 2013 | 9* | 2013 |
| Critica ratiunii cinice P Sloterdijk, T Pirvulescu, S Munteanu Polirom, 2003 | 9 | 2003 |
| Beyond postsocialist and small: recent film production practices and state support for cinema in Czechia and Romania. JH Constantin Parvulescu Studies in European Cinema, 2020 | 8* | 2020 |
| Inside the Beast's Cage: Gianni Amelio's Lamerica and the Dilemmas of Post-1989 Leftist Cinema C Parvulescu italian culture 28 (1), 50-67, 2010 | 8 | 2010 |
| World Cinema, vod Platforms and the Western Demand C Parvulescu Studies in World Cinema, 2020 | 7 | 2020 |
| Devices of cultural Europeanization C Parvulescu, C Turcus Studies in Eastern European Cinema 9 (1), 3-14, 2018 | 6 | 2018 |
| Hollywood Peeks: The Rise and Fall of Videotheques in 1980s Romania C Pârvulescu, E Copilaş East European Politics and Societies 27 (2), 241-259, 2013 | 5 | 2013 |
| Depicting the 1989 Events in the Romanian Historical Film of the Twenty-First Century C Parvulescu A Companion to the Historical Film, 365, 2013 | 5 | 2013 |
| The Continent in Ruins and its Redeeming Orphans: Géza Radványi and Béla Balázs’s Somewhere in Europe and the Rebuilding of the Post-war Polis C Parvulescu Central Europe 10 (1), 55-76, 2012 | 5 | 2012 |
| After the revolution: The individualist anarchist journal “Der Einzige” and the making of the radical Left in the early post-World War I Germany C Parvulescu University of Minnesota, 2006 | 4 | 2006 |
| Constantin parvulescu, eds. 2013 RA Rosenstone A Companion to the Historical Film, 0 | 4 | |
| Recent quality film and the future of the republic of Europe C Parvulescu, F Pitassio Studies in European Cinema 15 (2-3), 101-109, 2018 | 2 | 2018 |
| Challenging Communities of Values: The Peripheral Cosmopolitanism of Marian Crisan's MORGEN C Parvulescu, C Nitu Iluminace 26 (2), 99, 2014 | 2 | 2014 |
| Gleaming Faces, Dark Realities: Dušan Makavejev’s Man Is Not a Bird and the Representation of the Working Class after Socialist Realism C Parvulescu Senses of Cinema, 2009 | 2* | 2009 |
| Betrayed Promises: Politics and Sexual Revolution in the Films of Márta Mészáros, Miloš Forman, and Dušan Makavejev C Parvulescu Camera Obscura: Feminism, Culture, and Media Studies 24 (2), 77-105, 2009 | 2 | 2009 |
Emanuel CopilașUniversitatea de Vest, TimișoaraVerified email at e-uvt.ro
